How will we experience music in 2050? To play music together and connect!

Ideally in a very profound way – the way families have shared music for thousands of years, and long before music became a commodity:

So it’s a rainy day in 2050 and you and your friends decide you’d like to see a concert. […] Emmy Parker, a cultural futurist and former brand manager for synthesizer maker Moog Music, said that the future could also allow us to experience music and sound in a very profound way, the way families have shared music for thousands of years, and long before “music” became a commodity.

“How can we expand that simple idea, which has been on planet Earth probably for 150,000 years, that we play music together to, number one, connect with each other?” said Parker.

19:40 we play music together, to connect to our higher self or God or universe; to our ancestors, to bring us back to another time and place […] very similar to a time traveler.

We use to heal our minds, our hearts and spirit, and our body, and connect to each other, to our families.

Listen to Spark’s Next Big Thing series, which explores how technology in various guises might affect humanity in the far future >>

Enriching town and village life alike: Suitable, ecologically responsible venues with local materials and expertise

“To talk about the future is useful only if it leads to action now … with new methods of production and new patterns of consumption: a lifestyle designed for permanence.” – E.F. Schumacher in Small Is Beautiful: A Study of Economics as if People Mattered, p. 16 (Abacus 1984 ed.)

“If the town life was rich, the village life was equally so. … The villagers were not altogether cut off from the activities of town life. … The monotonous life of the villager was often enlivened by rural amusements of varied character. Every village had a common dancing-hall (kalam). Even the village women took part in these public performances like the tunankai, a kind of dance .” – V. R. Ramachandra Dikshitar, The Cilappatikaram (Tinnevelly: The South India Saiva Siddhanta Works Publishing Society, 1978), chapter on “Village and Village Life”, pp. 61

More Things I recommend: Worldcat.org >>

Download, read in full screen mode or listen to A Theatre For All: Sittrarangam—the Small Theatre Madras by Ludwig Pesch (open domain) on Archive.org >>

Bibliography >>

Voice culture and singing in intercultural perspective

Full screen viewing link: https://archive.org/details/voice-culture-and-singing-kalakshetra-quarterly-1983

Voice Culture and Singing by Friedrich Brueckner-Rueggeberg

Peter Calatin (left) and Friedrich Brueckner-Rueggeberg (centre) with students at
Kalakshetra in 1983 © Ludwig Pesch

This course material was originally produced for – and used by – teachers and students at Kalakshetra College of Fine Arts, today known as Rukmini Devi College Of Fine Arts | Learn more >>

Nachruf auf Dr. Pia Srinivasan

Prof. S.A. und Pia Srinivasan mit ihrer Lehrerin Rajeswari Padmanabhan >>

Mit dem Tod von Dr. Pia Srinivasan (15. Mai 1931 – 8. April 2022) verlieren Freunde der indischen Musik eine inspirierende Vertreterin des deutsch-indischen Dialogs.

Zugleich lebt ihr Erbe fort, sei es mit Hilfe ihrer preisgekrönten, weil zugänglichen Aufnahme südindischer klassischer Musik, sei es mit Veröffentlichungen, die sie in Zusammenarbeit mit ihrem Mann Prof. S.A. Srinivasan für ein Fachpublikum erarbeitete.

Nachruf auf Englisch >>

Integrated Music Education – Challenges of Teaching and Teacher Training

“Thinking and learning in South Indian Music” by Ludwig Pesch, chapter 4 in:

Markus Cslovjecsek, Madeleine Zulauf (eds.)
Integrated Music Education – Challenges of Teaching and Teacher Training
Peter Lang Publishers, Bern, 2018. 418 pp., 29 fig. b/w, 2 tables
MOUSIKÆ PAIDEIA Music and Education/Musik und Bildung/Musique et Pédagogie. Vol. 1 pb.
ISBN 978-3-0343-0388-0

This book was presented  during the 33rd ISME World Conference for Music Education (isme2018.org) on Wednesday 18 July 2018.

About this book

Schools are generally oriented towards discipline-based programmes and therefore students often accumulate fragmented knowledge, disconnected from real life concerns. The eighteen contributors to this work suggest that music offers a highway to developing a more appropriate integrated education. They present a range of views on Integrated Music Education rooted in various cultural traditions, based on several interdisciplinary models and integrated arts curricula, inspired by psychological concepts and referenced to recent teaching experiments as well as original research.

In this innovative book, the reader is invited to go beyond the dichotomy between ‘education in music’ and ‘education through music’, exploring the opportunities put forward by Integrated Music Education thanks to a constant movement from the theoretical roots through a precise description of teaching activities to the benefits for students in terms of integration of knowledge, personal development, and social and cultural belonging. Lastly, there are some new and interesting ideas for training teachers.

https://www.peterlang.com/view/title/34993
Art: Arun VC (Wayanad, Kerala)
Illustration from
Vaitari: A musical picture book from Kerala
Audio file: Lakshmi and Marma talas combined in an original rendition by Thrikkamburam Krishnan Marar, a hereditary temple musician in Kerala. Recording location: Natanakairali Irinjalakuda; described in the present publication:
Vaitari: Syllable-based rhythm exercise from Kerala by Ludwig Pesch (pp. 290-4), Ch. “Activities Which Explore Links between Music and One Other Subject”