by Ludwig Pesch Published by Shankar Ramchandran on behalf of Dhvani Ohio | Read or download the full article (PDF, 800 KB, updated 19 June 2021): Attribution-NonCommercial-ShareAlike 4.0 License For this musicologist and author, there are good reasons to believe that Carnatic music matters, perhaps more than ever and almost anywhere in the world. So […]
Category: creativity and innovation
“Thinking and learning in South Indian Music” by Ludwig Pesch, chapter 4 in: Markus Cslovjecsek, Madeleine Zulauf (eds.)Integrated Music Education – Challenges of Teaching and Teacher TrainingPeter Lang Publishers, Bern, 2018. 418 pp., 29 fig. b/w, 2 tablesMOUSIKÆ PAIDEIA Music and Education/Musik und Bildung/Musique et Pédagogie. Vol. 1 pb.ISBN 978-3-0343-0388-0 This book was presented during […]
This month [December 2020] marks the 250th birth anniversary of Ludwig van Beethoven. In ordinary times, Germany, Austria, and a good part of the world beyond Europe would have been ablaze with celebrations: as the opera composer Giuseppe Verdi, a man whose reputation in some circles would be just as great, remarked: “Before the name […]
The Sangita Kalanidhi is a happy validation of Sairam’s life and struggles, but “it also entails an important responsibility — to record, document, and share,” she points out. This year’s Sangita Kalanidhi awardee says the freedom to create helped her channel her life into art | Read the full interview (The Hindu, 5 October 2018) […]
At the invitation of Christine Urand (Director, Rietberg Montessori School) Ludwig Pesch took the full assembly of teachers on a musical journey across South India: exploring a wealth of rhythmic and melodic motifs suitable for young learners while enabling parents, teachers and care-givers to enjoy music making themselves (even as “lay people”, musically speaking). This […]
Chor@Berlin 2017: Ode an die Nacht (Ausschnitt) from Deutscher Chorverband on Vimeo. Mit „Ode an die Nacht“ gelangte im Rahmen von Chor@Berlin am 24. Februar 2017 im Radialsystem V das letzte Werk von Harald Weiss’ „Darkness Project“ zur Uraufführung. Kammerchor Berlin (Einstudierung: Stefan Rauh) Concentus Neukölln – Ensemble der Musikschule Paul-Hindemith, Neukölln (Einstudierung: Thomas Hennig) […]
Review by Garimella Subramaniam, The Hindu, January 05, 2017 | Read the full review >> “The many dimensions of the musical persona of Berlin-based Manickam Yogeswaran of Sri Lankan origin are not easy to fathom just from hearing him sing at one recital. […] However, a conversation over coffee at Chamiers, days after a performance […]
Whatever we understand and enjoy in human products instantly becomes ours, wherever they might have their origin – Rabindranath Tagore* During this presentation, musical figures from several distinct traditions were explored in a practice-oriented manner. The figures selected are appealing beyond South Asia where they originated many centuries ago and continue to play a key role in classical and […]
“Unity in Diversity, Antiquity in Contemporary Practice? South Indian Music Reconsidered” by Ludwig Pesch (Amsterdam) in Gardner, Matthew; Walsdorf, Hanna (Hrsg.). Musik – Politik – Identität / Music – Politics – Identity. Göttingen: Universitätsverlag, 2016 (Musikwissenschaften) | Abstract and contents >> ISBN13: 978-3-86395-258-7 Softcover, 17×24, 218 S.: 24,00 € Online Ausgabe, PDF (3.681 MB) Download for free here: >>(Creative […]
Of all living creatures in the world, man has his vital and mental energy vastly in excess of his need, which urges him to work in various lines of creation for its own sake […] Life is perpetually creative because it contains in itself that surplus which ever overflows the boundaries of the immediate time […]