Video | Chor@Berlin 2017: Ode an die Nacht (Ausschnitt)

Chor@Berlin 2017: Ode an die Nacht (Ausschnitt) from Deutscher Chorverband on Vimeo.

Mit „Ode an die Nacht“ gelangte im Rahmen von Chor@Berlin am 24. Februar 2017 im Radialsystem V das letzte Werk von Harald Weiss’ „Darkness Project“ zur Uraufführung.

Kammerchor Berlin (Einstudierung: Stefan Rauh)
Concentus Neukölln – Ensemble der Musikschule Paul-Hindemith, Neukölln (Einstudierung: Thomas Hennig)
Berliner Mädchenchor (Einstudierung: Sabine Wüsthoff)

Indischer Gesang und Tambura: Manickam Yogeswaran
Blues-Gesang: Hanno Bruhn
Bajan: Mateja Zenzerovic
Klavier und Synthesizer: Peter Müller
Violine: Kinneret Sieradzki
Kontrabass: Guy Tuneh
Schlagzeug: Viorel Chiriacescu, Daniel Eichholz und Alexandros Giovanos
Elektro-akustische Vorproduktion: Harald Weiss
Stimme: Andrea Gubisch
Gesamtleitung: Thomas Hennig

No complacency in the search for creativity: Manickam Yogeswaran (The Hindu)

Review by Garimella Subramaniam, The Hindu, January 05, 2017 | Read the full review >>

“The many dimensions of the musical persona of Berlin-based Manickam Yogeswaran of Sri Lankan origin are not easy to fathom just from hearing him sing at one recital. […]

However, a conversation over coffee at Chamiers, days after a performance for Tamil Isai Sangam at Raja Annamalai Mandram, gave a glimpse of the different facets of the disciple of T.V. Gopalakrishnan and his exposure to Hollywood. […]

Yogeswaran’s forays into western classical ensembles, and his key role in global music forums for nearly three decades is a career graph, perhaps, typical of the wider scene in the performing arts these days. At the same time, it is the emotional need to stay anchored to the cultural milieu of one’s roots that probably explains Yogeswaran’s crucial engagement with Carnatic music. […] The challenge now, he says, is to nudge current generation of South Asians from a false sense of security about the future of this traditional art form. The conveniences afforded by technology, in terms of access to the treasure trove of recordings of great masters, ought not to breed complacency in the search for creativity, he argues. The key lies in continued reliance on the rigours of relentless individual ‘sadhana,’ a hallmark of classical music.”

http://www.thehindu.com/entertainment/music/Revelling-in-his-classical-roots/article16992760.ece

Unity in Diversity, Antiquity in Contemporary Practice? South Indian Music Reconsidered – Free download

“Unity in Diversity, Antiquity in Contemporary Practice? South Indian Music Reconsidered” by Ludwig Pesch (Amsterdam) in Gardner, Matthew; Walsdorf, Hanna (Hrsg.). Musik – Politik – Identität / Music – Politics – Identity. Göttingen: Universitätsverlag, 2016 (Musikwissenschaften) | Abstract and contents >>

ISBN13: 978-3-86395-258-7

Softcover, 17×24, 218 S.: 24,00 € Online Ausgabe, PDF (3.681 MB)

To download this essay (PDF 500 KB) for free, click here >>
(Creative Commons licence Attribution-ShareAlike 4.0 International)

Other publications, book chapters and articles by Ludwig Pesch: WorldCat.org list >>

Santiniketan: Birth of Another Cultural Space – Free e-book by Pulak Dutta

Of all living creatures in the world, man has his vital and mental energy vastly in excess of his need, which urges him to work in various lines of creation for its own sake […] Life is perpetually creative because it contains in itself that surplus which ever overflows the boundaries of the immediate time and space. – Rabindranath Tagore in The Religion of an Artist *

KG Subramanyam with Pulak Dutta – Santiniketan 2009

Download : Santiniketan Birth of Another Cultural Space (free e-book) here >>

Pulak Dutta. Santiniketan: Birth of Another Cultural Space. Santiniketan 2015.
Contact: pulaksantiniketan@gmail.com

* Quoted by Pulak Dutta (p. 97) from Sisir Kumar Das (ed.). The English Writings of Rabindranath Tagore Vol 3. New Delhi: Sahitya Akademi 2006 (pp. 687-8)

More on and by Rabindranath Tagore >>

Listen to Tagore: Unlocking Cages: Sunil Khilnani tells the story of the Bengali writer and thinker Rabindranath Tagore: https://bbc.in/1KVh4Cf >>
The acclaimed BBC 4 podcast series titled Incarnations: India in 50 Lives has also been published in book form (Allen Lane).

“I was moved by how many of these lives pose challenges to the Indian present,” he writes, “and remind us of future possibilities that are in danger of being closed off.”1

  1. Sunil Khilnani quoted in a review by William Dalrymple in The Guardian, 14 March 2016[]

Disputationes Salzburg

Indische Spiritualität in Kunst und Kultur

Herbert-Batliner-Europainstitut in Kooperation mit den Salzburger Festspielen im Rahmen der Ouverture spirituelle

Impulsreferate Montag, 20. Juli 2015, 15.00 – 18.00 Uhr
Gesprächsrunde 17:00 – 18:00 im Haus für Mozart

  • Heidrun Brückner: Mythologische Stoffe und hinduistische Epen auf der Bühne
  • Ludwig Pesch: Raum für Ideen? Zeit zum Spiel! Zum Sinn eines unbefangeneren Umgangs mit der „klassischen“ Musik Indien – Zusammenfassung >>
  • Michael von Brück: Sparsha – Indische Kunst und Kultur als religiöser Raum